The intention is to create a journey through historical memory, thought and poetry of Ernesto Guevara. Will develop certain times in your life, from intimate and subjective view of Ernesto Guevara.
The script has two narrators:
The narrator - a filmmaker.
Their presence is manifested through a voiceover that, from now on a journey through the texts and the traces left by the Che, in an attempt to unravel his thoughts unknown. Their interventions are brief and concise, interacts with the voice of Ernesto Guevara, we shoot to another time, gives us unknown details of his biography.
This voice is not an objective voice, is clearly subjective, ask questions, open questions that perhaps the Che enlighten us from his writings.
Ernesto Guevara.
Ernesto Guevara was an avid student, reader and writer. This allows us to include different levels of discourse, we bring the richness of his inner world.
Politically ideological work with his writings and public speeches, rescuing those interventions that are not known, presenting exhibitions on current issues with his voice slow and didactic. We take the time to listen to an interview, an intervention in a television channel, tone and pauses of his explanations.
From his adolescence and throughout his life, he developed a rigorous study of philosophy, politics and the economy, flows passing thoughts varied. The meeting with some of these materials as his philosophical dictionary of youth Critical notes on political economy, the notebooks I had in Bolivia, are evidence that were not known of all his practical action. In Cuba, Che can develop a revolutionary action that comes with the thoroughness of the problems that arise in practice.
epistolary discourse is constant throughout life. The correspondence with their families, usually brief, glimpse the clarity of its concepts and the sharpness of his humor.
literary and poetic discourse, the richest, demonstrates the need for permanent expression, the need to tell your innermost feelings with the freedom of an artist.
Poetry accompanied him throughout his life. In his notebooks of Bolivia, Rubén Darío's poems are written in the handwriting, the recording that is left before leaving Aleida March, who chose the poems and recited, intimate and unhurried, takes a unique dimension to restore humanity we want to portray.
The combination of these texts, as diverse in style to each other are those who move from place to discover the legendary guerrilla in the concrete man.
The script has two narrators: The narrator - a filmmaker.
Their presence is manifested through a voiceover that, from now on a journey through the texts and the traces left by the Che, in an attempt to unravel his thoughts unknown. Their interventions are brief and concise, interacts with the voice of Ernesto Guevara, we shoot to another time, gives us unknown details of his biography.
This voice is not an objective voice, is clearly subjective, ask questions, open questions that perhaps the Che enlighten us from his writings.
Ernesto Guevara.
Ernesto Guevara was an avid student, reader and writer. This allows us to include different levels of discourse, we bring the richness of his inner world.
Politically ideological work with his writings and public speeches, rescuing those interventions that are not known, presenting exhibitions on current issues with his voice slow and didactic. We take the time to listen to an interview, an intervention in a television channel, tone and pauses of his explanations.
From his adolescence and throughout his life, he developed a rigorous study of philosophy, politics and the economy, flows passing thoughts varied. The meeting with some of these materials as his philosophical dictionary of youth Critical notes on political economy, the notebooks I had in Bolivia, are evidence that were not known of all his practical action. In Cuba, Che can develop a revolutionary action that comes with the thoroughness of the problems that arise in practice.
epistolary discourse is constant throughout life. The correspondence with their families, usually brief, glimpse the clarity of its concepts and the sharpness of his humor.
literary and poetic discourse, the richest, demonstrates the need for permanent expression, the need to tell your innermost feelings with the freedom of an artist.
Poetry accompanied him throughout his life. In his notebooks of Bolivia, Rubén Darío's poems are written in the handwriting, the recording that is left before leaving Aleida March, who chose the poems and recited, intimate and unhurried, takes a unique dimension to restore humanity we want to portray.
The combination of these texts, as diverse in style to each other are those who move from place to discover the legendary guerrilla in the concrete man.
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