- ¿Qué has the empujó rodar WELCOME?
- Whenever he saw the work of Philippe, I thought: "I love to roll with this director." Came to one of the first screenings of Roman de gare, Claude Lelouch, and I said I had in mind for a future film ... I did not know what would be his next over, in fact, he did not, because I had thought of another actress. He spent some time as he reflected, but was still not the actress who was looking for. It seemed too young to play Simon's wife. Finally decided to call me and stayed for the next day. He was thirty when I entered the restaurant. After a few minutes, had reached 35 and my name was Marion.
When I finally read the script I was very happy to have accepted the role.
- Do you feel close to the character of Marion?
- It was not an easy role for me, even though Philippe opposite opinion. Marion is a simple woman, very human and, above all, very quiet, calm. Is an English teacher and a committed person. I think I'm much more nervous, neurotic, complicated. Faced with this woman so well built, I was in front of a black abyss. I think the hardest role I've had to date. In addition, he has lived ten years with the same man. Ten years is a long time, I've never had a relationship so lasting. He had to learn everything, let me go, put aside the references, name brands. Now, with distance, I can say that I love to meet Marion and become it. It was a humbling experience.
- How to work with Philippe Lioret?
- Philippe focuses exclusively on the film. In the script there is nothing about. For him, work is the writer and director.
Sometimes it is easy to follow, is so precise that he failed to understand why we do not see all that on its head. But it also provides great security. Actually leads us and we know it will be okay. With Philippe has been working. No no room for nonsense, just for the job. Their level of demand is contagious. There is no one on set who did not give everything. I am aware that if the movie will be like for him, if the actors are good, also be for him. And if you like, will also be for him. The film is him.
remember a night shoot where, after trying many times the dialogue and movement, I went into a trance. I had never been anything like it, and taught me a lot.
- And with Vincent Lindon?
- Whenever he saw the work of Philippe, I thought: "I love to roll with this director." Came to one of the first screenings of Roman de gare, Claude Lelouch, and I said I had in mind for a future film ... I did not know what would be his next over, in fact, he did not, because I had thought of another actress. He spent some time as he reflected, but was still not the actress who was looking for. It seemed too young to play Simon's wife. Finally decided to call me and stayed for the next day. He was thirty when I entered the restaurant. After a few minutes, had reached 35 and my name was Marion.
When I finally read the script I was very happy to have accepted the role.
- Do you feel close to the character of Marion? - It was not an easy role for me, even though Philippe opposite opinion. Marion is a simple woman, very human and, above all, very quiet, calm. Is an English teacher and a committed person. I think I'm much more nervous, neurotic, complicated. Faced with this woman so well built, I was in front of a black abyss. I think the hardest role I've had to date. In addition, he has lived ten years with the same man. Ten years is a long time, I've never had a relationship so lasting. He had to learn everything, let me go, put aside the references, name brands. Now, with distance, I can say that I love to meet Marion and become it. It was a humbling experience.
- How to work with Philippe Lioret?
- Philippe focuses exclusively on the film. In the script there is nothing about. For him, work is the writer and director.
Sometimes it is easy to follow, is so precise that he failed to understand why we do not see all that on its head. But it also provides great security. Actually leads us and we know it will be okay. With Philippe has been working. No no room for nonsense, just for the job. Their level of demand is contagious. There is no one on set who did not give everything. I am aware that if the movie will be like for him, if the actors are good, also be for him. And if you like, will also be for him. The film is him.
remember a night shoot where, after trying many times the dialogue and movement, I went into a trance. I had never been anything like it, and taught me a lot.
- And with Vincent Lindon?
- Vincent Lindon is a child on the set. At that time there anything but the film, and cares about all his scenes, the other actors, the entire film. It is very pleasant to work with an actor so dedicated. Despite having shot many films, have much experience, is a child, fears and passions. Shares everything. I have a feeling that was always beside me, taking me by the hand. And now I've seen WELCOME, I have come forward to accompany her to the end of the world because I think a movie that deserves to be seen by as many people as possible. Talk about love with a social background, or maybe the other way around, do not know ... We on the essential.
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